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Dorian has confused art with life in his love for Sibyl Vane. Do you think this statement is accurate or not? Provide evidence from the novel to support your opinion. How has Dorian changed from the boy we met in Basil's studio? What is Henry's view of Dorian's romance with Sybil?

Ask by Carlson Vaughan. in South Africa
Jan 18,2025

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Dorian Gray's love for Sibyl Vane shows he mixes art with life, valuing her only for her beauty and performance. This leads him to reject her when she no longer fits his artistic ideals, causing her tragic end. From being an innocent young man in Basil's studio, Dorian transforms into a morally corrupt and hedonistic individual influenced by Lord Henry's philosophy. Lord Henry likely views Dorian's relationship with Sibyl as another indulgence in beauty and art, contributing to its downfall.

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Dorian's infatuation with Sibyl Vane indeed blurs the lines between art and life, showcasing his idealistic notions about love. He first falls for her because of her talent as an actress; her performances evoke a sense of beauty and passion that he has never encountered before. When she loses her ability to act due to her love for Dorian, he becomes disillusioned, suggesting that he values the art of performance more than the realities of human connection. Dorian's journey from the innocent boy in Basil’s studio to a man consumed by his own desires highlights a dramatic transformation fueled by hedonism. Initially, he is depicted as naïve and impressionable, yet as he becomes more influenced by Lord Henry's views, his moral compass deteriorates. This change intensifies following his wish to remain eternally youthful and beautiful, which leads him down a dark path of indulgence and detachment from reality. Lord Henry’s perspective on Dorian's romance with Sibyl is one of amusement and cynicism. He sees it as nothing more than an enchanting whim that will eventually fade, illustrating his belief in the transient nature of love. For Henry, Dorian’s enchantment with Sibyl is an entertaining spectacle rather than a profound connection, underscoring his philosophy that life should be lived for beauty and pleasure rather than emotional depth.

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