Question
Which of the following is true regarding equestrian portraits? a. The first examples were seen in the nineteenth century. b. They helped exaggerate the facial features and perfection of the subject in the painting. c. They were a form of social protest that was popularized by Picasso. d. They used the image of a horse beneath a political figure to help convey the subject supreme power and leadership. Please select the best answer from the choices provided A B C D
Ask by Murray Reid. in the United States
Jan 23,2025
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Answer
The best answer is D.
Solution
To determine which statement is true regarding equestrian portraits, let's analyze each option:
a. **The first examples were seen in the nineteenth century.**
- This statement is false. Equestrian portraits date back to ancient times, with notable examples from the Renaissance period, long before the nineteenth century.
b. **They helped exaggerate the facial features and perfection of the subject in the painting.**
- This statement is somewhat misleading. While equestrian portraits often idealize the subject, they do not primarily focus on exaggerating facial features. Instead, they emphasize the subject's power and status.
c. **They were a form of social protest that was popularized by Picasso.**
- This statement is false. Equestrian portraits are not typically associated with social protest, and Picasso is not known for popularizing this genre.
d. **They used the image of a horse beneath a political figure to help convey the subject's supreme power and leadership.**
- This statement is true. Equestrian portraits often depict leaders or important figures on horseback, symbolizing their power, authority, and leadership.
Based on this analysis, the best answer is:
**D**
Reviewed and approved by the UpStudy tutoring team
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Extra Insights
The best answer is D. Equestrian portraits often feature a horse beneath a ruler or leader, symbolizing power, authority, and nobility. This artistic tradition dates back to ancient times, serving to emphasize the stature and dominance of the subject. Historically, these portraits were commissioned by royalty or noble figures to create a lasting image of their grandeur. Famous examples include the monumental works of artists like Diego Velázquez and John Singleton Copley, which cemented the connection between rider and steed as a dynamic representation of leadership and control.