Felix Gonzalez - Torres, Untitled (Portrait of Ross in L.A.). 1991, United States. Candies individually wrapped in multi-color cellophane, endless supply. Dimensions vary with installation; ideal weight 175 lbs. Art Institute Chicago. [Source: "Untitled (Portrait of Ross in L.A.)" by Felix Gonzalez-Torres, Art Institute of Chicago is licensed under CC BY-ND 4.0 © The Felix Gonzalez-Torres Foundation] Which of the following options best describes the form used within this work? For Teacher Use Only RE \( 7 . E L \) DOK2 \( 453100 . M 3 . L 2 . Q 3 \); [Source: "Untitled (Portrait of Ross in L.A.)" by Felix Gonzalez-Torres, Art Institute of Chicago is licensed under CC BY-ND 4.0 © The Felix Gonzalez-Torres Foundation.] The artist used texture to create a square shape on the floor of the gallery. The artist used value and color to create implied form. The artist used value and color to imply the shape of a circle on the gallery floor. The artist used candies to create a cone in the corner of a museum.
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Felix Gonzalez-Torres's work utilizes a unique method of assembling individual candies to create an installation that invites viewers to interact with the piece, emphasizing themes of love and loss. The use of colorful, individually wrapped candies not only contributes to the visual appeal but also serves as a metaphor for personal connection and the ephemeral nature of life, as viewers are encouraged to take pieces away, thereby altering the installation over time. As you explore this installation, consider how it plays with the notion of abundance versus absence. By designing it to represent an ideal weight of 175 lbs, Gonzalez-Torres prompts viewers to think about the weight of memory and the loss of his partner, Ross. The act of taking the candies isn’t just about consumption; it invites dialogue about grief, remembrance, and the shared human experience, making it a deeply resonant piece on various levels.