In these excerpts, Delbourgo described the British Museum as a "cabinet of curiosities" primarily because the museum A accepted only specific objects from private collectors who were experts in their fields. (B) dissolved rigid boundaries and allowed artifacts to be viewed comprehensively, as part of a culture. C) preferred scholarly, academic collections that would reflect its dedication to serious research. (D) wanted its exhibits to be portable, so that they could be transported to and displayed in nearly any area.

The phrase "cabinet of curiosities" harks back to the Renaissance, when wealthy individuals collected rare items and oddities, often showcasing them in elaborate cabinets. These collections were not just art or artifacts; they were a reflection of their curators' interests, encompassing everything from natural history specimens to cultural artifacts. The British Museum, evolving from these principles, allowed for a richer context by dissolving rigid boundaries and promoting a holistic view of artifacts within their cultural frameworks. In practice, the British Museum has played a vital role in educational outreach and cultural exchange, using its vast collections to foster global understanding. By displaying artifacts from various cultures side by side, the museum creates connections and encourages visitors to appreciate the interconnectedness of human history. It serves not just as a repository of items but as a dynamic space for storytelling and learning, drawing in millions of visitors eager to explore the tapestry of human experience.