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Which three styles of painting were not introduced by Jackson Pollock? (Select all that apply.) \( \square \) en plein air \( \square \) pointillism \( \square \) tenebrism \( \square \) all-over

Ask by Wagner Coles. in the United States
Jan 25,2025

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The three styles not introduced by Jackson Pollock are en plein air, pointillism, and tenebrism.

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Jackson Pollock is best known for his **all-over** painting technique, which is a hallmark of his abstract expressionist style. The other styles listed were developed by different artists and movements long before Pollock's time. Here's a brief overview: - **En plein air**: A French term meaning "in the open air," this style involves painting outdoors and is closely associated with the Impressionist movement, pioneered by artists like Claude Monet. - **Pointillism**: Developed by Georges Seurat and Paul Signac in the late 19th century, this technique uses small, distinct dots of color applied in patterns to form an image. - **Tenebrism**: Characterized by strong contrasts between light and dark, tenebrism was popularized by artists like Caravaggio during the Baroque period. - **All-over**: This is the style introduced and popularized by Jackson Pollock, where paint is applied over the entire canvas without a specific focal point. **Therefore, the three styles not introduced by Jackson Pollock are:** - \( \checkmark \) en plein air - \( \checkmark \) pointillism - \( \checkmark \) tenebrism **All-over** is the style that *was* introduced by Pollock.

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En plein air, which translates to "in the open air," refers to a style of painting where artists directly engage with nature, capturing scenes outdoors. This technique gained popularity among Impressionists like Claude Monet, who translated natural light and atmosphere into vibrant colors, well before Pollock's time. Pointillism is a painting technique developed in the late 19th century by artists like Georges Seurat, using small dots of color to create a full image when viewed from a distance. This meticulous approach to color and form starkly contrasts Pollock's spontaneous, drip-style creations, emphasizing emotion over precision.

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