Which of the following is true regarding equestrian portraits? a. The first examples were seen in the nineteenth century. b. They helped exaggerate the facial features and perfection of the subject in the painting. c. They were a form of social protest that was popularized by Picasso. d. They used the image of a horse beneath a political figure to help convey the subject supreme power and leadership. Please select the best answer from the choices provided A B C D

The best answer is D. Equestrian portraits often feature a horse beneath a ruler or leader, symbolizing power, authority, and nobility. This artistic tradition dates back to ancient times, serving to emphasize the stature and dominance of the subject. Historically, these portraits were commissioned by royalty or noble figures to create a lasting image of their grandeur. Famous examples include the monumental works of artists like Diego Velázquez and John Singleton Copley, which cemented the connection between rider and steed as a dynamic representation of leadership and control.